Writing Advice!

Today the authors of Dark Matter: Artificial share their best writing advice with their fellow writers! Come learn from what they've learned through their experiences!

Stephanie Espinoza Villamor: When I was 16 years old, author Joyce Spizer Foy gave me the advice to just "throw up on paper" first. It sounds gross but basically means get your words out. Put something on paper. Even if it's "bleh." Editing will come later, and what you think is "bleh" can lead you in the right direction or be better than you thought! But nothing will happen if you keep waiting for the right words/ideas and don't start! The best advice that I've learned on my own is to join critique groups with people who write in the same genre/age group as you. They'll give you ideas you didn't think of. They'll help you see what's confusing in you work. And they can be incredible support.

C.D. Gallant-King: My best piece of writing advice? Don't listen to anyone else's advice. Everyone has completely different opinions on how to be successful, and what works for one person doesn't necessarily work for someone else. Always look for qualified advice (randos on YouTube and Facebook don't count!) and take any suggestions with a truckload of salt.

Kim Mannix: I know a lot of writers would give the advice that you have to write every day to keep yourself in practice, but I think it's important to remember that it's important to give yourself breaks from writing too, if that's what you need. Take a vacation. Go experience things that you can take back to your writing. Absorb. We're basically like sponges in the way we collect our stories, but we don't have to constantly be wringing them out. I think so much writing happens in the heart and the head, before you get to the page or keyboard, and it's ok to allow yourself that time to think and process.

Steph Wolmarans: Start doing it because it is fun, improve how you do it because you want others to have fun, then keep doing it!

Tara Tyler: Follow your gut. Write what you feel good about writing. The tough part is ignoring the nagging doubt fairy and the distraction demons who can be tough to distinguish from your tried and true gut. Just keep writing!

Deniz Bevan: The best short advice I’ve ever heard is from Diana Gabaldon: “Read. Write. Don’t stop.”

My longer advice would be to send your characters to a writers’ houseparty! http://thegirdleofmelian.blogspot.com/2017/04/h-is-for-writers-houseparties.html

Charles Kowalski: A young English teacher once sat down to write a high-school horror story, but gave up after three pages and threw the manuscript away. The story didn’t excite him, he didn’t like the main character, and he didn’t feel he could write convincingly from the point of view of an outcast teenage girl. The next day, he came home to find the pages back on his desk, smoothed out with the cigarette ashes brushed off them, and his wife urging him to finish what he had started. The writer’s name was Stephen King, and Carrie was the book that launched his career. Moral of the story? Don’t self-censor. If a book comes to you and tells you it wants you to write it, listen to it. (And when its voice grows too faint to hear, it always helps to have someone who believes in you strongly enough to fish your pages out of the wastebasket.)

Olga Godim: Usually, my advice runs to one word: PERSEVERE. But now I want to add a couple more: READ WIDELY. The more you read, in any and all genres, the better your writing will be.

Elizabeth Mueller: There are many voices out there, pulling you into many different directions. Be true to yourself and your writing! It also helps to connect with other writers, because writers need writers after all!

Mark Alpert: You can’t be a writer unless you’re an avid reader. If you want to write science fiction, read lots of science fiction; if you want to write thrillers, read plenty of thrillers. And so on and so forth.

Next post is coming up Wednesday, July 7, 2021 . . . IWSG Day!

Don't forget! Dark Matter: Artificial is available now on Amazon, Kobo, and Barnes and Noble!

Author Projects

The authors of Dark Matter: Artificial certainly keep busy with their writing! Everyone has different styles and different projects they're working on or have already published! For this week's post our authors responded to the following prompt:

Let's talk about your writing! Share about a current project in the works or a published project readers can look for.

Stephanie Espinoza Villamor: As I continue to write short stories, I'm constantly working on revising a middle grade contemporary novel I've been working on for 10 years. It's an important story about neurodiverse siblings that I want to be able to one day share with the world. Contemporary books for middle school students are a lot different than science fiction stories for adults, but I particularly enjoy writing any genre for kids--including sci-fi! After I wrote "Artificial" for the Insecure Writers Support Group anthology contest, I was inspired to write a middle grade science fiction story called "My Life in Cube 19," which was selected to be in the Henderson District Public Libraries' anthology, Impressions: Isolate.

C.D. Gallant-King: Dark Matter: Artificial is a sci-fi collection, which ties neatly into my current project: Gale Harbour, a series of books about adolescents in small-town 1990s Canada battling other-worldly monsters. It's not hard sci-fi, as it contains touches of fantasy and horror as well, but there's definitely aliens (spoiler!). My best pitch calls it Degrassi High meets Stranger Things. The first book, Psycho Hose Beast From Outer Space, came out last year to moderate success, and book two is in the editing process and should be available this Fall!

Kim Mannix: I'm primarily a poet more than a fiction writer, but I have been working on a collection of short spec/horror fiction for a long time. I recently finished what I hope will be a poetry chapbook, so now I have turned my energy back to the weird stories, like the one that appears in Dark Matter: Artificial. They need to be edited, expanded or started from scratch. Like most writers, especially those that work other jobs, I always have more ideas than time! 

Steph Wolmarans: Progress continues on my novel involving the distant descendants of the Artusans and the Utten. They were first introduced during my short story, "The Utten Mission," in the Dark Matter: Artificial anthology. Thousands of years in the future, they will meet again. Sadly, their relationship does not improve. Currently, I am wrapping up the first round of revisions—only a few scenes to go! (Maybe a rewrite for the ending.) Hopefully, it will be going to some beta readers and/or critique partners in the next month or so.

Tara Tyler: I love summer! As a teacher, I have gallons more flexible hours to write than during school. Right now, I'm working on CONDUCTION, book 4 in my Pop Travel techno-thriller series, which write themselves by now, I love those crazy characters! When I write, I jump from project to project: something new, some editing, and usually a short story or two, like last year I was able to write my Dark Matter story and finished my latest UnPrincess novella, GERTRUDE. I also love to catch up on my writerly connections. We'll be starting our chat group again as soon as I figure out the best conduit to use--Look for it!

Deniz Bevan: I have way too many projects in the works! Quite a few finished NaNoWriMo novels that need editing (historical romance), one novel in the process of being queried (contemporary romance), one novella that may be on its way to publication (paranormal romance; fingers crossed!), and one short story collection by another author that I’m copy-editing. On top of that, I just wrote a new short story for the first time in a couple of years! This one is also a post-apocalyptic tale, just like my story in Dark Matter: Artificial, and also for the first time in a long while, I drafted it on pen and paper. Now I need to find time to type it up. It’s great having so many projects on the go so that I can constantly switch to something new!

Charles Kowalski: Before blasting off to a distant world in the future for “Resident Alien,” my first foray into IWSG anthologies took me to a magical version of this world in the equally remote past: seventeenth-century Japan for “Simon Grey and the Yamamba” in last year’s VOYAGERS anthology. The story fit into my novel, SIMON GREY AND THE MARCH OF A HUNDRED GHOSTS. Simon, cursed with the “gift” of seeing the spirit world, signs up as a cabin boy on a ship bound for Japan, hoping that a long sea voyage will provide some respite from the ghosts that always haunt him on land. But when a shipwreck leaves him stranded, only with the help of Yokai – quirky creatures from Japanese folklore – can he find his way home. (The pandemic delayed the release of the sequel, SIMON GREY AND THE CURSE OF THE DRAGON GOD, but it’s in the works!)

Olga Godim: I want to tell you about my current WIP, a novella with no title yet. Like my story for Dark Matter, it is science fiction. It was born, like many of my stories, out of my reading. Months ago, I read the sci-fi novel Polaris Rising by Jessie Mihalik. Before Mihalik’s book starts, the heroine Ada, unwilling to submit to her despotic father’s wishes to marry her off for political gains, runs away. Her father sends bounty hunters after her, and Ada’s struggle to stay free, plus many a fun adventure and a muscled hunk as a love interest, form the bulk of the novel. But Ada’s original escape is outside the pages of the book. That stirred my interest. How did she escape? It is science fiction, so technology is well developed, and everything is on the computers. Is true escape even possible? I started playing with possibilities, and my own heroine Talia sprang up in my head – having nothing in common with Mihalik’s protagonist. Talia also must escape her domineering relative, and her situation is similar to Ada's, but Talia's escape mechanics are the focus of my novella. And after she succeeds, what is she to do? How can she build her new life in a highly technological society while staying hidden from possible searches? Where does she go: a planet, a space station, a spaceship?  

Elizabeth Mueller: I’m honored to have another chance to present myself. Thank you! I love to read and write romance. For me, it’s true escapism! and refreshing. From time traveling to dancing with faery princes, to ballerinas and cowboys!

A dangerous creature hunts Damarin through the deserted streets, and he races home with Zarynah in his arms. Isn’t that love? Possibly romantic? Welcome to "Resurgence," my story inside Dark Matter: Artificial.

I admit it’s challenging to write a story without romance and "Resurgence" challenged me a bit but it still bloomed into the story it is now!

Here is the aesthetic I’ve created for your pleasure. Enjoy!

Mark Alpert: If you liked the short stories in the Dark Matter anthology, you’ll probably enjoy my novel Final Theory, an international bestseller that was published by Simon & Schuster and translated into two dozen languages. The novel is about Albert Einstein’s quest to find the holy grail of physics, a Theory of Everything that would explain all the forces of nature. In Final Theory, Einstein succeeds in discovering the mathematical blueprints of the universe, but he’s forced to keep them secret because they would enable the building of weapons even worse than nuclear bombs. Decades later, though, the secret leaks out, and physicists start turning up dead as terrorist mercenaries and FBI agents race to piece together the world-changing formulas. You can read more about the novel on my website — www.markalpert.com — which has excerpts and buy links.

To learn more about all our authors, check out their websites and social media on our bio page!

Coming on Wednesday, June 30, 2021 . . . 

Next up our authors share their best writing advice with our readers!

Dark Matter: Artificial is available now on Amazon, Kobo, and Barnes and Noble!

In the Spotlight: C.D. Gallant-King ~ Author of "Space Folds and Broomsticks"

The IWSG Anthology blog will be featuring posts from each of the contributing authors in Dark Matter: Artificial over the next few weeks. We’ve asked them to share a little about how they came up with their stories and preview what’s to come!

C.D. Gallant-King on his short story, “Space Folds and Broomsticks.”

A few years ago I saw a call for submissions on an anthology of sci-fi retellings of classic fairy tales. Unfortunately I missed the deadline, but it sparked several story ideas that have been rattling around inside the ol’ brainpan for awhile. One of them was a version of Hansel and Gretel, something that I haven’t seen re-done as often as old standbys such as Sleeping Beauty and Little Red Riding Hood (for examples, just search “Red Riding Hood + erotica” on Amazon). 

Of course, I didn’t want to make it too much like the original--for one, I don’t think a story about parents dumping kids in the wilderness would go over as well today as it did back in the 1700s. Come to think of it, did anyone ever sympathize with the parents in that one? So instead, I combined the basic premise of the Grimm Brothers’ tale with another love of mine--military sci-fi, in the vein of Star Wars: Rogue Squadron, Wing Commander, and Battlestar: Galactica. And voila--the story grew from there.

Picture this--but with lasers and space ships.

Of course, I had to made it funny. I can’t write anything without taking the piss out of it.

I have always maintained that genre fiction is inherently funny--the tropes required to write genre fiction are, because they are by definition over-used, ridiculous. Space cowboys, wizards in pointy hats, wars between ancient gods, even straight romance or mystery--it’s very hard to use these things and make a genuinely fresh and interesting story. It certainly takes far more writing skill than I have. So instead of trying, I usually just lean into the ludicrousness and have fun with it. It’s not to say my writing doesn’t have serious moments or tragedy, I still have to slip those in from time. In fact I find that those serious moments land even harder when bookended by comedy. It should be no surprise that my favourite authors are Kurt Vonnegut and Terry Pratchett, folks who wrote “genre” fiction but included a lot of serious topics in their satirical sci-fi and fantasy.

I’m not comparing myself to Vonnegut or Sir Terry. I’m not smart enough to write like Vonnegut and not British enough to write like Pratchett, but I do my best.

I hope you enjoy it.

Blurb: 

Sleahn and Treeg are the most incompetent recruits ever to step foot inside the Federacy’s training academy, but they can’t be due to their family’s political standing. Can their instructors get rid of them quietly by taking advantage of their young pilots’ own ineptitude?

Excerpt:

Commandant Jacob was the director of the Federacy training facility aboard the star carrier Schwarzwald. She was a career officer, a tall woman with a sharp nose who rather looked like one of those large flightless birds from that desert-covered outer colony planet. She achieved her position, like most highly-ranked officers and politicians in the United Federacy of Independent Star Systems, despite any outwardly visible signs of competency or qualifications.

She currently sat in the large hot tub in her quarters, sipping Norgothian whiskey from a dainty wine glass. Captain Sawx stood before her, feeling uncomfortable but desperately needing to have this conversation. He had spoken to commanding officers under worse conditions. In his younger days he had a Lieutenant who gave his morning briefings while sitting on the toilet.

Sawx, standing at attention in his perfectly pressed grey uniform and polished boots, did his level best to ignore the fact that his CO was in a compromising position.

“With all due respect regarding Ensigns Sleahn and Treeg--they are going to kill someone.”

She nodded solemnly. “We are soldiers, Captain. That is part of the job description.”

“Not to kill their own squad mates!”

“Ah yes, that would be irksome, wouldn’t it? Would really put a damper on the next round of team-building exercises.”

C.D. Gallant-King wrote his first story when he was five years old.  He had to make his baby-sitter look up how to spell "extra-terrestrial" in the dictionary. He now writes stories about un-heroic people doing generally hilarious things in horrifying worlds.

He's self-published three novels, Ten Thousand Days in 2015, Hell Comes to Hogtown in 2016, and Psycho Hose Beast From Outer Space in 2020.

C.D. has also written ten novels you haven't read, because they're still locked in The Closet. The Closet is both a figurative and literal location - it is the space in his head where the stories are kept, but it's also an actual closet under the stairs in his basement where the stories are also kept. It's very meta.

He's a loving husband and proud father of two wonderful little kids.  He was born and raised in Newfoundland and currently resides in Ottawa, Ontario. There was also a ten-year period in between where he tried to make a go of a career in Theatre in Toronto, but we don't talk about that.

Coming on Wednesday, February 17, 2021 . . . 

Next up is author Kim Mannix who shares the inspiration for her sci-fi short story, “Rift."